Daria

Yeromka

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Name:

Daria

Nationality:

Ukrainian

About Me:

I received a classical academic education at the Kharkiv State Academy of Design and Arts (2005-2011), where I earned a master’s degree in outdoor monumental painting and recreational areas. I worked for three years in a team of fresco painters painting church murals (in the Byzantine style). Since 2012, I have taught at the academy intermittently for nine years, focusing on ceramics, painting, modern materials technology, and more. I have made figurative and aesthetic spiritual and moral components the dominant elements of my work. Over four years of research (doctoral studies) in the field of fine art in public spaces, street art events, and other contemporary art projects have focused my interests on decorative and applied art, as well as working with metaphysical imagery, most often angels. Since the beginning of the full-scale war, images of birds, earth, flora, and the textures and textures of the earth have become particularly ingrained. To achieve this, I combine various materials, experiment, but adhere to the technical and technological foundations of the process. I believe that an artist should strive for positive meanings in order to reduce the concentration of immorality in this world.

Visual Arts:
Performing Arts:
Music:
Publishing and Print Media:
Decorative and Applied Arts:
Literature:
Cultural Heritage:
Curatorial Practices:
Other – please specify:

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Visual Arts

Performing Arts

Music

Audiovisual & Digital Arts

Publishing & Print Media

Decorative & Applied Arts

Literature

Cultural Heritage

Curatorial Practices

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Name

Daria

Nationality

Ukrainian

About Me

I received a classical academic education at the Kharkiv State Academy of Design and Arts (2005-2011), where I earned a master’s degree in outdoor monumental painting and recreational areas. I worked for three years in a team of fresco painters painting church murals (in the Byzantine style). Since 2012, I have taught at the academy intermittently for nine years, focusing on ceramics, painting, modern materials technology, and more. I have made figurative and aesthetic spiritual and moral components the dominant elements of my work. Over four years of research (doctoral studies) in the field of fine art in public spaces, street art events, and other contemporary art projects have focused my interests on decorative and applied art, as well as working with metaphysical imagery, most often angels. Since the beginning of the full-scale war, images of birds, earth, flora, and the textures and textures of the earth have become particularly ingrained. To achieve this, I combine various materials, experiment, but adhere to the technical and technological foundations of the process. I believe that an artist should strive for positive meanings in order to reduce the concentration of immorality in this world.

Visual Arts

painting

Performing Arts

street art

Music

classical

Audiovisual and Digital Arts

video art, animation, augmented reality (AR), interactive art, digital art

Publishing and Print Media

other printed publications

Decorative and Applied Arts

ceramics, textiles, design

Literature

poetry, prose

Cultural Heritage

restoration, museums, libraries

Curatorial Practices

art curation, criticism

Other – please specify

research activities

About Me

I received a classical academic education at the Kharkiv State Academy of Design and Arts (2005-2011), where I earned a master’s degree in outdoor monumental painting and recreational areas. I worked for three years in a team of fresco painters painting church murals (in the Byzantine style). Since 2012, I have taught at the academy intermittently for nine years, focusing on ceramics, painting, modern materials technology, and more. I have made figurative and aesthetic spiritual and moral components the dominant elements of my work. Over four years of research (doctoral studies) in the field of fine art in public spaces, street art events, and other contemporary art projects have focused my interests on decorative and applied art, as well as working with metaphysical imagery, most often angels. Since the beginning of the full-scale war, images of birds, earth, flora, and the textures and textures of the earth have become particularly ingrained. To achieve this, I combine various materials, experiment, but adhere to the technical and technological foundations of the process. I believe that an artist should strive for positive meanings in order to reduce the concentration of immorality in this world.